File:"I Want To Go To Morrow" patter song (Dan W. Quinn, 1902) Lew Sully song later done by Kingston Trio.opus

Dan W. Quinn

1902

I started on a journey just about a week ago for the little town of Morrow in the state of Ohio. I never was a traveler and really didn't know that Morrow had been ridiculed a century or so.

I went down to the depot for my ticket and applied for tips regarding Morrow, not expecting to be guyed. Said I, "My friend, I want to go to Morrow and return not later than to-morrow, for I haven't time to burn."

Said he to me, "Now let me see if I have heard you right. You want to go to Morrow and come back to-morrow night. To go from here to Morrow and return is quite a way. You should have gone to Morrow yesterday and back today.

For if you started yesterday to Morrow--don't you see?--you could have got to Morrow and returned to-day at three. The train that started yesterday--now understand me right--today it gets to Morrow and returns to-morrow night."

Said I, "My boy, it seems to me you're talking through your hat. Is there a town named Morrow on your line? Now tell me that."

"There is," said he, "and take from me a quiet little tip. To go from here to Morrow is a 14-hour trip. The train that goes to Morrow leaves to-day 8:35. Half after 10:00 to-morrow is the time it should arrive. Now if from here to Morrow is a 14-hour jump, can you go to-day to Morrow and come back to-day, you chump?"

"Now if you start to-day to Morrow, it's a cinch you'll land to-morrow into Morrow, not to-day, you understand. For the train to-day to Morrow, if the schedule it is right, will get you into Morrow by about to-morrow night."

Said I, "I guess you know it all, but kindly let me say, how can I go to Morrow if I leave the town to-day?"

Said he, "You cannot go to Morrow any more to-day. For the train that goes to Morrow is a mile upon its way."

I was so disappointed I was mad enough to swear. The train had gone to Morrow and had left me standing there.

The man was right in telling me I was a howling jay. I didn't go to Morrow, so I guess I'll go to-day.

Dan W. Quinn recounted how he began recording in a letter sent to Walsh, who quotes it at length in "Reminiscences of Dan W. Quinn," published in the July 1934 issue of Music Lovers' Guide.

Quinn explained why he was among the most successful recording artists of the 1890s: "It was while working for Vic Emerson [a Columbia executive in the 1890s] that I began to work like a good fellow and went after all the latest songs. I learned everything, whether it naturally suited my style or not. The good singers--I mean fellows like John W. Myers and George Gaskins [sic]--were slow getting up their stuff, and I, being a sight reader, just couldn't keep from learning every new number."

He estimated cutting some 2,500 titles during his more than 20 years of recording experience. He listed for Walsh some companies that issued his records: "During my active days I recorded for practically all American companies: Edison, Victor, Columbia, United States, New Jersey, Chicago, Ohio, Boston, Gramophone, Gennett, Leeds-Catlin, and a number of others."

Columbia moved its headquarters to New York City in 1897. An 1899 cylinder catalog duplicates an agreement dated May 1, 1898, establishing that Quinn, along with more than a dozen others, was exclusive to Columbia. The arrangement lasted a year. His last session for Berliner, before his exclusive contract with Columbia began, was on March 31, 1898. He next recorded for Berliner on April 4, 1899.

During most of his recording career, Quinn was a free-lance artist, singing for practically all American companies. He made a few records in 1906 and then retired for a time (Gaskin likewise stopped recording around 1905, returning a decade later). This hiatus began just before the advent of double-faced discs. He continued to perform in vaudeville and operated a theatrical booking agency almost to the day of his death. In "Reminiscences of Dan W. Quinn," Walsh gives the address as 312 West 20th Street, New York City.

Though nearly 60, he attempted in 1915 a recording comeback, beginning with a Columbia session on September 23, 1915.

The singer died of intestinal cancer in his home at 312 West 20th Street, New York City.