File:Nicolai Abildgaard, Jordemoderen forlader Androspigens hus Simo siger til Davus, at han regner barselfærden for rent bedrageri Motiv fra Terents- Pigen fra Andros, 1801, KMS589, Statens Museum for Kunst.jpg

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Nicolai Abildgaard: The Midwife Taking Leave of the girl from Andros. From Terence´s Andria  wikidata:Q20426009 reasonator:Q20426009
Artist
Nicolai Abildgaard  (1743–1809)  wikidata:Q319854
 
Nicolai Abildgaard
Description Danish painter, designer, architect, sculptor, university teacher and furniture designer
Date of birth/death 11 September 1743 Edit this at Wikidata  Edit this at Wikidata
Location of birth/death Copenhagen Copenhagen
Work location
Rome (1772–1777); Copenhagen (1764) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Jordemoderen forlader Androspigens hus. Simo siger til Davus, at han regner barselfærden for rent bedrageri. Motiv fra Terents: Pigen fra Andros

The Midwife Taking Leave of the girl from Andros. From Terence´s Andria
title QS:P1476,da:"Jordemoderen forlader Androspigens hus. Simo siger til Davus, at han regner barselfærden for rent bedrageri. Motiv fra Terents: Pigen fra Andros"
label QS:Lda,"Jordemoderen forlader Androspigens hus. Simo siger til Davus, at han regner barselfærden for rent bedrageri. Motiv fra Terents: Pigen fra Andros"
Object type painting
object_type QS:P31,Q3305213
Description
Dansk: Jordemoderen forlader Androspigens hus. Simo siger til Davus, at han regner barselfærden for rent bedrageri. Motiv fra Terents: Pigen fra Andros
Dansk: Jordemoderen forlader Androspigens hus, mens slaven Davus forgæves søger at overbevise Pamfilus' fader om, at Pamfilus er fader til det nyfødte barn. Motiv fra Terents: Pigen fra Andros, III akt, 2. scene
Date 1801
date QS:P571,+1801-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,693 mm (66.65 in); width: 1,407 mm (55.39 in)
dimensions QS:P2048,1693.0U174789
dimensions QS:P2049,1407.0U174789
institution QS:P195,Q671384
Accession number
KMS589
Object history
Exhibition history
  • Nordic Highlights, Sølvgade, 7 April 2017–12 August 2017
  • Art in the Making - Kunstværkets tilblivelse, Sølvgade, 7 February 2018–5 May 2018
  • Abildgaard, Juel, Eckersberg, Horsens Art Museum, 12 October 1996–12 January 1997
Inscriptions
fntv: N. Abildgaard 1801
Notes
  • Dansk: Værkdatering: 1801
References
  • Patrick Kragelund (1999) Abildgaard=abildgård: kunstneren mellem oprørerne, Ill. p. 531. Omtales p. 103, 530-532. Kragelund foreslår en anden titel: "Jordemoderen forlader pigen fra Andros´ hus". Serien omtales p. 519-537, 577., 2000-057
  • Peter Michael Hornung (2005) C.W. Eckersberg: dansk malerkunsts fader, omt. p. 25 (generelt om hele billedserien), 2005-383
  • Charlotte Christensen (1999) Maleren Nicolai Abildgaard, p.223-27 (generelt om Terents billederne), afb. p.229 (f), omt. p.231, 99-498
  • Ubekendt (2008) Abildgaard=abildgård, 1743-1809, fig. 47, ill. p. 152, omt. p. 153, C 42692
  • Ubekendt (2009) Nicolai Abildgaard: der Lehrer von Friedrich und Runge, fig. 1, ill. p. 166, omt. p. 168, C 43272
  • Thomas Lederballe (2009) Nicolai Abildgaard: Kroppen i oprør, Afb. p. 141 og 267 (kat.67). omt. p. 142. Katalogtekst p. 267., C 44316
  • Kasper Monrad (2013) Dansk Guldalder: Lyset, landskabet og hverdagslivet, afb. p. 31 (fig. 14), omt. p. 30f
  • Chris Fischer (2014) Nicolai Abildgaards tegningssamling, fig. 9, afb. p. 280, omt. p. 280
  • Troels Filtenborg (2014) Between Formula and Freestyle, Nicolai Abildgaard and 18th-century Painting Technique, p. 98
  • Chris Fischer (2018) Kunstværkets tilblivelse, kat. nr. 113, fig. 186
Source/Photographer

Licensing[edit]

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1809, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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